A work exploring non-hierarchal, decentralised listening praxis.

 

This work was a response to the Her-Noise Archive, drawing on the Her-Noise Map's tangled cartography and bold evocation of polymorphic, plurivocal, heterogenous representation and structure.

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Tape is used as a sculptural material, formed into intuitively created mappings of sounding and listening in space. Multiple instances of this listening are layered over on another to explore temporal sonorities in a non-linear fashion. We are encouraged to question and  uproot our perceived positionality as being at the centre of not only sound in space, but sound in time.

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Four Listening Topographies for Virgina Woolf (2023)

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